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Legendary industrial designer Frank Stephenson talks about his historical past with the world’s prime automobile producers and his newer ventures in progressive design.
Written by: Zheran Chen
Frank Stephenson has his imaginative and prescient. Together with his title to designs from the long-lasting New MINI to the thrilling McLaren P1, at 62, he’s nonetheless keen about design and interested in all issues pure. He has risen to grow to be one of the crucial influential automotive designers over the previous three many years.
Frank Stephenson sketches on a regular basis, it’s nearly a convention for him to select up a ballpoint pen and let his creativity movement over any floor he can discover. Even throughout this interview, Frank sketches, it didn’t take lengthy for a clear sheet of paper to grow to be one thing actually outstanding.
Frank lives in a lovely, quiet nation home in England and can also be the design director of a studio in London that bears his personal title. Some would say it’s nearly exhausting to match Frank’s previous and current persona, from the illustrious design boss who ran Ferrari and formed McLaren’s future, to the frankly talking founding father of Frank Stephenson Design (no pun meant), and even YouTuber. He’s now utilizing his creativity in nearly every part: futuristic eVTOL plane, progressive child safety seats, and even a supercomputer.

However there’s a connection. For many individuals, Frank’s work has been in contact with their lives for a few years, whether or not it was love at first sight for the beautiful Fiat 500, the sheer pleasure of driving a MINI by the countryside, and even the surreal feeling of seeing a McLaren P1 for the primary time. Immediately, wherever you go, there’s sure to be a product with which Frank has some type of involvement.
He was born in Casablanca, the identical place the place Humphrey Bogart and Ingrid Bergman shone on the massive display screen. Camels, fragrances and the colourful but romantic tradition of Morocco influenced Frank’s upbringing in some ways earlier than the household launched into a collection of strikes, first to Turkey after which to Spain, diversifying his understanding of various cultures.

It was within the yr he completed highschool that his life took its first flip, which, surprisingly, had nothing to do with automobile design. Anybody who has come into shut contact with Frank will discover his muscular construct, which comes from years of motocross racing in his early days. Sure, he was once an expert motocross rider. First, he gained the Junior Championship in Spain and started racing within the Nationwide Sequence.
However when he turned 22, his father advised him to search out one thing else to do for a residing. “It was unhappy to finish it, however my father had a degree. I used to be good however not successful, there’s a giant distinction between being good and successful. I didn’t need to be achieved at 30, I wanted to search out one thing else I used to be higher at”.
When Frank first heard in regards to the Artwork Heart Faculty of Design (ACCD) in Pasadena, California, he instantly determined it was the place he wished to go. “A college devoted to automotive design; I utilized with out hesitation”, Frank considers his faculty years to be probably the most memorable regardless of the every day pressures.
“I’ve misplaced observe of what number of nights I’ve stayed up, it’s simply so exhausting. You’ll at all times suppose you’re gifted, however there are such a lot of gifted individuals there, so I’ve plenty of respect for my classmates.
I feel I realized extra from my classmates than I did from my lecturers”.
Frank shouldn’t be exaggerating, there have been 30 younger college students enrolled with him in 1983, whereas solely six graduated in 1986. Frank was provided a Ford scholarship throughout his sophomore yr at ACCD, which ultimately turned a job alternative.
He selected to work for Ford Europe in Cologne to be close to his household, and what was his first job at Ford? Designing the wheels of the brand new Sierra!
BMW was his subsequent goal. In July 1991 he took his portfolio to Munich they usually employed him on the spot. It was a terrific transformation time for BMW, which had a lot potential for a younger designer like Frank.
A line-up of solely 3, 5, 7 and eight Sequence was not sufficient for BMW’s ambitions. Since their acquisition of the Rover Group, the German big was contemplating an unprecedented growth with new additions equivalent to Land Rover, MINI, Triumph and Wolseley.
Frank’s supervisor on the time requested him to current an off-roader prototype utilizing the know-how of the lately acquired Land Rover in six weeks. From the present viewpoint, it’s nearly inconceivable.
“Time is simply too quick, you’ll be able to’t make a full-size prototype from scratch in six weeks, no less than not in Germany, as a result of we have now to work extra time on weekends and the union gained’t enable that”, Frank mentioned, “So my design boss despatched us to Turin, the place there are a variety of studios who can flip design sketches into clay fashions in a really quick time and can work continuous on daily basis”.
With willpower, expertise and a few all-nighters, Frank obtained the job achieved. “It turned the X5”, Frank says proudly, “It laid the foundations for the design language of the longer term BMW SUV, or SAV, Sports activities Exercise Car”.
It’s the MINI that basically pushed Frank to the top of design, alongside different legendary designers of all time. Recreating an icon shouldn’t be a straightforward process, such stress can be an excessive amount of for many individuals. However not for Frank. “Actually? I wasn’t careworn in any respect”, says Frank, “as a result of there have been 15 proposals from designers and I didn’t realise I’d find yourself successful the bid”.

Like the unique Mini, the brand new MINI is taken into account to be a contemporary icon. “BMW didn’t place any restrictions on the design on the time, it didn’t say that the brand new MINI needed to appear like the outdated one from 1959, so your work ended up being your interpretation of the ‘MINI of the twenty first century’. As a substitute of beginning right away with the 1999 MINI, I designed a automobile that by no means existed, the 1969 MINI. If the MINI was to be revamped in a 1969 facelift, what would it not have regarded like, based mostly on the know-how and tradition of the time? Then within the second week, I designed the 1979 mannequin, within the third week the 1989 mannequin and within the final week I designed the brand new 1999 MINI”.
The success of the X5 and MINI naturally led many to consider that Frank would rise by the ranks of the BMW Group, till issues modified at some point with a telephone name. It was from Italy, and the job was the Director of Design for Ferrari and Maserati.
“Ford and BMW are all nice and dandy, however Ferrari is up there. Ferrari hires new design director, quits after two months, I don’t need to be that man”, Frank mentioned. Fortunately, he had sufficient ammunition in his armoury, and never solely did he resist the stress of the function, he additionally designed a number of legendary fashions, such because the F430, FXX and Maserati MC12.

4 years later, he was seen because the lifeline of Fiat, the struggling Italian firm that wanted a brand new mannequin to outlive, and his Fiat 500 turned one other on the spot hit.
In 2008, McLaren discovered it more and more troublesome to run an F1 staff, and with out a street automobile, they might quickly not be capable of maintain their operation. Frank joined McLaren in 2008 because the Design Director. Then got here the 12C and P1, the inspiration of Ron Dennis’ well-known three-pillar technique — an entry-level 911 contender, a Ferrari competitor, and a McLaren hypercar. The P1 is a milestone not just for McLaren, however for all hybrid hypercars when it comes to design, aesthetics and engineering.
Frank left McLaren in 2017 and arrange his personal Frank Stephenson Design studio in 2018.
Over time, this impartial design firm has carved out reality-changing options with world-class dynamic expertise and purchasers from world wide.
As with Frank’s earlier work, FSD’s design philosophy emphasises the usage of innovation by the fusion of artwork and science, utilizing the newest know-how whereas caring for the setting. With the assistance of digital actuality, autonomous driving and mobility, Frank Stephenson Design is shaping the longer term
of industries.
“I really like designing supercars, however on the finish of the day, solely a small share of individuals even have entry to them. By Frank Stephenson Design, I not have constraints and am capable of higher use my creativeness in order that extra individuals could make their lives higher by improved designs”.
Within the final 5 years, Frank’s creativity has not been restricted and he has arrived on the golden age of his design profession. He has labored throughout completely different industries to share his imaginative and prescient by a wide range of merchandise to make individuals reside higher together with his design and new applied sciences, equivalent to Atmo, a climate forecasting supercomputer with a glossy, metallic form and a spatial processing energy of 500Km²
per minute.


Atmo builds AI-enabled {hardware} and software program methods that clear up climate prediction for any metropolis, state, or nation. Mixed with Numerical Climate Prediction strategies (NWP) and Deep Neural Networks (DNNs), Atmo creates a next-generation structure for climate forecasting. It appears like an outside sculpture however has the flexibility to foretell the climate for 4 billion individuals and 180 nations, can function anyplace from -30°C to 45°C and doesn’t require an information centre, or perhaps a roof, to supply forecasts.
Frank Stephenson Design is working exhausting to create a robust model by providing an completely new expertise and absolutely the highest commonplace of merchandise. Considered one of their newest tasks is the BabyArk, the world’s most secure baby automobile seat which depends on patented, state-of-the-art know-how which is able to probably save tons of of kids’s lives world wide.


“We achieved security for BabyArk seats primarily utilizing the know-how known as military-grade spiral know-how. That know-how permits us to soak up power in a approach that no different seat thus far has ever achieved”, Frank added, “My inspiration at all times comes from the science of biomimicry. The form of the BabyArk is just about impressed by the form of the egg, and the egg is in itself a protecting type”.
Biomimicry stays the important thing to Frank Stephenson Design, capturing the knowledge of nature and staying related by innovation. “Biomimicry is my design philosophy and I at all times have nature in my thoughts once I design”, Frank mentioned, “Nature’s creations have gone by tons of of hundreds of years of evolution and are nonetheless round, and therein lies the fantastic thing about perfected design”.
Take Lilium’s eVOTL Jet for instance, one in all Frank Stephenson Design’s newest tasks. It’s an electrical vertical take-off and touchdown jet meant to accommodate six passengers and a pilot, and makes use of the illustration of how nature approaches the design of organisms mirrored in industrial design.

“The hammerhead shark is fairly intimidating when it’s coming towards you”, Frank says, “it’s obtained these wings within the head design that makes it extremely environment friendly in turning, and the best way its head comes again to a impartial place, that’s influenced plane and race automobile design with canards and wings on the very entrance of the car”.
“It additionally has the class and the movement of a manta ray”, Frank added, “Why not use that because the inspiration for the rear wing and rear fuselage construction? While you see it, and we’ve developed it so much additional than what individuals have seen up till now, it’ll take your breath away”. Archer Aviation from Palo Alto simply took a billion-dollar eVTOL order from United Airways.
From eVOTL plane to child seats, the creativity by no means ends, and vehicles won’t be absent from Frank’s imaginative and prescient. Frank Stephenson Design is working with Praga Vehicles, a Czech automobile firm initially established in 1907, and manufacturing race vehicles since 2011.
Frank has lately sketched a by no means heard of hypercar from the yr 2030. “Will probably be like nothing you’ve ever seen earlier than”, says Frank excitedly, “It’s a supercar designed with 2030 in thoughts. How will the know-how evolve? What sort of power ought to the automobile use and the way will aerodynamics play its half? It’s all intriguing to unveil. It’s not science fiction, it’s actually occurring”, exclaims Frank, “That’s why I like design, to place one foot within the current and one foot sooner or later”.
Speaking about placing one foot sooner or later, Frank Stephenson Design can also be planning to construct the Frank Stephenson Car Exploration Centre within the Metaverse. Watch this house!
Frank’s YouTube channel has gained over 200,000 subscribers since 2020 with over 12 million views. His design tales and design evaluations are effectively obtained by completely different generations in numerous nations, and have been translated in several languages.
On the finish of the interview, Frank was nonetheless with the ballpoint pen, sketching. It was the Praga hypercar from 2030. Ferrari, McLaren, Maserati, BMW, MINI, Alfa Romeo, Fiat and now Praga, Frank has created so many iconic merchandise, and he has a approach of making designs which at all times endure the take a look at of time.

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